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KW Institute for Contemporary Art, 2025, Image: Raisa Galofre

Sophiensæle, 2025; image: Raisa Galofre

Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025; image: Raisa Galofre

Former Courthouse Lehrter Straße, 13th Berlin Biennale, 2025; image: Raisa Galofre

Zasha Colah and Valentina Viviani, Curator and Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Raisa Galofre

Zasha Colah and Valentina Viviani, Curator and Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Raisa Galofre

Zasha Colah, Curator of the 13th Berlin Biennale for Contemporary Art; image: Moritz Haase

Valentina Viviani, Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Moritz Haase

Akademia Ruchu, Potknięcie [The Stumble], 1977, video still © Akademia Ruchu

Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans

Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans

Amol K Patil, PEEPING, 2025, video still © Amol K Patil

Amol K Patil, BURNING SPEECHES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

Amol K Patil, NUMBER OF CHARGES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

Amol K Patil, BURNING SPEECHES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

Amol K Patil, MANY KILOMETERS SEVERAL WORDS, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image:: Marvin Systermans

Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image: Raisa Galofre

Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image: Raisa Galofre

Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

Daniel Gustav Cramer, Fox & Coyote, 2024/25 © VG Bild-Kunst, Bonn 2025, courtesy Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert

Daniel Gustav Cramer, Fox & Coyote, 2024/25, installation view (detail), 13th Berlin Biennale, Sophiensæle, 2025 © VG Bild-Kunst, Bonn 2025, courtesy Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert; image: Aristidis Schnelzer

Daniel Gustav Cramer, Fox & Coyote, 2024/25, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Daniel Gustav Cramer, Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert; image: Aristidis Schnelzer

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Marvin Systermans

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Marvin Systermans

Etcétera, LIBERATE MARS, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Etcétera; image: Diana Pfammatter, Eike Walkenhorst

Etcétera, LIBERATE MARS, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Etcétera; image: Diana Pfammatter, Eike Walkenhorst

Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © Fredj Moussa

Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, video still. Courtesy Freeszfe Film Collective

Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, video still. Courtesy Freeszfe Film Collective

Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Freeszfe Film Collective; image: Diana Pfammatter; Eike Walkenhorst

Gabriel Alarcón, Retablo para cargar en la espalda [Retablo to carry on the back], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

Gernot Wieland, Family Constellation with a Fox, 2025, video still © VG Bild-Kunst, Bonn 2025

Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

Huda Lutfi, The Fool’s Journal, 2013/14, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Huda Lutfi; Gypsum Gallery, Cairo; The Third Line Gallery, Dubai; image: Marvin Systermans

Huda Lutfi, The Fool’s Journal, 2013/14, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Huda Lutfi; Gypsum Gallery, Cairo; The Third Line Gallery, Dubai; image: Diana Pfammatter, Eike Walkenhorst

Han Bing and Kashmiri Cabbage Walker, Walking the Cabbage in Berlin, 2025, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Han Bing & Kashmiri Cabbage Walker; image: Eike Walkenhorst

Han Bing and Kashmiri Cabbage Walker, Walking the Cabbage in Berlin, 2025, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Han Bing & Kashmiri Cabbage Walker; image: Eike Walkenhorst

Htein Lin, The Return, 2000 © Htein Lin

Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

Jane Jin Kaisen, Halmang, 2023, videostill © VG Bild-Kunst, Bonn 2025

Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

Jane Jin Kaisen, Portal, 2024, video still © VG Bild-Kunst, Bonn 2025

Jane Jin Kaisen, Portal, 2024, video still © VG Bild-Kunst, Bonn 2025

Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

Kikí Roca, Las Chicas del Chancho y el Corpiño, El Corpiño [The Bra], 1995/2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Kiki Roca, Las Chicas del Chancho y el Corpiño; image: Marvin Systermans

Kikí Roca, Las Chicas del Chancho y el Corpiño, El Corpiño [The Bra], 1995/2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Kiki Roca, Las Chicas del Chancho y el Corpiño; image: Marvin Systermans

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

Luzie Meyer, Berlin Piece for Voice and Tap Dance, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Luzie Meyer; Sweetwater, Berlin; Fanta-MLN, Milan; image: Aristidis Schnelzer

Luzie Meyer, Tap Dance Board, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Luzie Meyer; Sweetwater, Berlin; Fanta-MLN, Milan; image: Aristidis Schnelzer

Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Marvin Systermans

Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Raisa Galofre

Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Raisa Galofre

Nge Nom, The Ditch, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Nge Nom; image: Eike Walkenhorst

Panties for Peace, sticker: Panties for Peace Emblems, 2010/25; videos: The Party they don’t want you to know! LPP Pantidates | Burma election 2010, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans

Panties for Peace, Panty Power Attack, 2007, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans

People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

From left to right: Piero Gilardi, Drago bce [Dragon of the ECB], 2012; Mulino di Trump [Trump’s mill], 2017; Trofeo Pace vs Terrorismi [Peace trophy vs. terrorism], 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Fondazione Centro Studi Piero Gilardi; image: Marvin Systermans

Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Marvin Systermans

Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Raisa Galofre

Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Raisa Galofre

Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst

Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view (detail), 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [Das Hauptquartier des Jokers. Gesamtkunstwerk als praktischer Scherz (Das ist der erste Flug des Adlers)], 2025, Installationsansicht, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; Bild: Diana Pfammatter; Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

Shahana Rajani, a cipher for the missing, 2022, video still © Shahana Rajani

Stacy Douglas, One Day III from Law Is Aesthetic: Trope, 2025, video still © Stacy Douglas

Tsuyoshi Ozawa, New Nasubi Gallery by Li Koelan First Life-Jacket, 1996, Installationsansicht, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Tsuyoshi Ozawa; Li Koelan; Bild: Marvin Systermans

Tsuyoshi, New Nasubi Gallery by Jinran Kim Soap Project, 1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Tsuyoshi Ozawa; Jinram Kim; image: Marvin Systermans

Vikrant Bhise, We Who Could Not Drink, 2025 © VikrantBhise; Experimenter, Kolkata & Mumbai

Yoshiko Shimada und BuBu de la Madeleine, 1945, 1998, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Yoshiko Shimada und BuBu de la Madeleine, Ota Fine Arts; image: Diana Pfammatter, Eike Walkenhorst

Zamthingla Ruivah Shimray, Installationsansicht, 13. Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Zamthingla Ruivah Shimray; Bild: Aristidis Schnelzer

Zamthingla Ruivah Shimray, Raira Kachon [Small Kachon War], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Zamthingla Ruivah Shimray; image: Aristidis Schnelzer

Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans

Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans

Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans