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Press images are available for download. They may be used free of charge in connection with reporting on the 13th Berlin Biennale for Contemporary Art, provided the copyright is correctly stated.

Venues

KW Institute for Contemporary Art, 2025, Image: Raisa Galofre

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Sophiensæle, 2025; image: Raisa Galofre

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Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025; image: Raisa Galofre

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Former Courthouse Lehrter Straße, 13th Berlin Biennale, 2025; image: Raisa Galofre

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Portraits

Zasha Colah and Valentina Viviani, Curator and Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Raisa Galofre

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Zasha Colah and Valentina Viviani, Curator and Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Raisa Galofre

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Zasha Colah, Curator of the 13th Berlin Biennale for Contemporary Art; image: Moritz Haase

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Valentina Viviani, Assistant Curator of the 13th Berlin Biennale for Contemporary Art; image: Moritz Haase

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Akademia Ruchu

Akademia Ruchu, Potknięcie [The Stumble], 1977, video still © Akademia Ruchu

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Anawana Haloba

Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans

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Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Anawana Haloba, Sammlung / Collection Hartwig Art Foundation; image: Marvin Systermans

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Amol K Patil

Amol K Patil, PEEPING, 2025, video still © Amol K Patil

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Amol K Patil, BURNING SPEECHES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

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Amol K Patil, NUMBER OF CHARGES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

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Amol K Patil, BURNING SPEECHES, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

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Amol K Patil, MANY KILOMETERS SEVERAL WORDS, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Amol K Patil; image: Aristidis Schnelzer

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Busui Ajaw

Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image:: Marvin Systermans

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Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image: Raisa Galofre

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Busui Ajaw, from the series The Military State’s Oppression of the Peoples, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Busui Ajaw, nca | nichido contemporary art; image: Raisa Galofre

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Bwanga “Benny Blow” Kapumpa

Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

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Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

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Bwanga „Benny Blow“ Kapumpa, Doctor Bwanga in Berlin, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Bwanga „Benny Blow“ Kapumpa; image: Eike Walkenhorst

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Daniel Gustav Cramer

Daniel Gustav Cramer, Fox & Coyote, 2024/25 © VG Bild-Kunst, Bonn 2025, courtesy Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert

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Daniel Gustav Cramer, Fox & Coyote, 2024/25, installation view (detail), 13th Berlin Biennale, Sophiensæle, 2025 © VG Bild-Kunst, Bonn 2025, courtesy Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert; image: Aristidis Schnelzer

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Daniel Gustav Cramer, Fox & Coyote, 2024/25, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Daniel Gustav Cramer, Sies + Höke, SpazioA, Vera Cortes, Yvon Lambert; image: Aristidis Schnelzer

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Elshafe Mukhtar

Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

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Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

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Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

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Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Raisa Galofre

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Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Marvin Systermans

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Elshafe Mukhtar, When Bots Rule a Great Nation, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Elshafe Mukhtar; image: Marvin Systermans

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Etcétera

Etcétera, LIBERATE MARS, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Etcétera; image: Diana Pfammatter, Eike Walkenhorst

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Etcétera, LIBERATE MARS, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Etcétera; image: Diana Pfammatter, Eike Walkenhorst

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Exterra XX – Künstlerinnengruppe Erfurt

Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

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Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

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Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

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Exterra XX – Künstlerinnengruppe Erfurt, Selection of performance objects, ca. 1988–1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025, Courtesy Exterra XX – Künstlerinnengruppe Erfurt, image: Marvin Systermans

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Fredj Moussa

Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

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Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

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Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © Fredj Moussa

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Fredj Moussa, لاد البربر [Land of Barbar], 2025, video still © VG Bild-Kunst, Bonn 2025

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Freeszfe

Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, video still. Courtesy Freeszfe Film Collective

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Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, video still. Courtesy Freeszfe Film Collective

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Freeszfe, On the Blockade (the autonomy fights of SZFE Budapest), 2020/21, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Freeszfe Film Collective; image: Diana Pfammatter; Eike Walkenhorst

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Gabriel Alarcón

Gabriel Alarcón, Retablo para cargar en la espalda [Retablo to carry on the back], 2025,  installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

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Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

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Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

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Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

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Gabriel Alarcón, Retablos para compartir [Retablos to share], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Gabriel Alarcón; image: Aristidis Schnelzer

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Gernot Wieland

Gernot Wieland, Family Constellation with a Fox, 2025, video still © VG Bild-Kunst, Bonn 2025

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Helena Uambembe

Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

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Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

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Helena Uambembe, How To Make a Mud Cake, 2021/2025, installation view, 13. Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

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Huda Lutfi

Huda Lutfi, The Fool’s Journal, 2013/14, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Huda Lutfi; Gypsum Gallery, Cairo; The Third Line Gallery, Dubai; image: Marvin Systermans

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Huda Lutfi, The Fool’s Journal, 2013/14, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Huda Lutfi; Gypsum Gallery, Cairo; The Third Line Gallery, Dubai; image: Diana Pfammatter, Eike Walkenhorst

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Han Bing & Kashmiri Cabbage Walker

Han Bing and Kashmiri Cabbage Walker, Walking the Cabbage in Berlin, 2025, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Han Bing & Kashmiri Cabbage Walker; image: Eike Walkenhorst

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Han Bing and Kashmiri Cabbage Walker, Walking the Cabbage in Berlin, 2025, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Han Bing & Kashmiri Cabbage Walker; image: Eike Walkenhorst

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Htein Lin

Htein Lin, The Return, 2000 © Htein Lin

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Iris Yingzen

Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

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Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

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Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

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Iris Yingzen, Garden of Hope, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Iris Yingzen; image: Eike Walkenhorst

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Jane Jin Kaisen

Jane Jin Kaisen, Halmang, 2023, videostill © VG Bild-Kunst, Bonn 2025

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Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

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Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

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Jane Jin Kaisen, Wreckage, 2024, video still © VG Bild-Kunst, Bonn 2025

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Jane Jin Kaisen, Portal, 2024, video still © VG Bild-Kunst, Bonn 2025

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Jane Jin Kaisen, Portal, 2024, video still © VG Bild-Kunst, Bonn 2025

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Judith Blum Reddy

Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, Futurama, 2015, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Judith Blum Reddy, I’m Afraid of Americans, 2018, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Judith Blum Reddy; image: Marvin Systermans

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Kikí Roca, Las Chicas del Chancho y el Corpiño

Kikí Roca, Las Chicas del Chancho y el Corpiño, El Corpiño [The Bra], 1995/2025,  installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Kiki Roca, Las Chicas del Chancho y el Corpiño; image: Marvin Systermans

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Kikí Roca, Las Chicas del Chancho y el Corpiño, El Corpiño [The Bra], 1995/2025,  installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Kiki Roca, Las Chicas del Chancho y el Corpiño; image: Marvin Systermans

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Larissa Araz

Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

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Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

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Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

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Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

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Larissa Araz, And through those hills and plains by most forgot, And by these eyes not seen, for evermore*, 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Larissa Araz; image: Aristidis Schnelzer

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Luzie Meyer

Luzie Meyer, Berlin Piece for Voice and Tap Dance, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Luzie Meyer; Sweetwater, Berlin; Fanta-MLN, Milan; image: Aristidis Schnelzer

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Luzie Meyer, Tap Dance Board, 2025, installation view, 13th Berlin Biennale, Sophiensæle, 2025. Courtesy Luzie Meyer; Sweetwater, Berlin; Fanta-MLN, Milan; image: Aristidis Schnelzer

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Margherita Moscardini

Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

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Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

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Margherita Moscardini, The Stairway, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Margherita Moscardini and Gian Marco Casini, Livorno; image: Marvin Systermans

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Memory Biwa

Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Marvin Systermans

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Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Raisa Galofre

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Memory Biwa, Ouma’s !Hàna˝s: Of Wor(l)ds Turned to Dust. Prossession Peda’Gogo and Yvette Abrahams Reading Cycle, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Memory Biwa; image: Raisa Galofre

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Nge Nom

Nge Nom, The Ditch, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Nge Nom; image: Eike Walkenhorst

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Panties for Peace

Panties for Peace, sticker: Panties for Peace Emblems, 2010/25; videos: The Party they don’t want you to know! LPP Pantidates | Burma election 2010, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans

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Panties for Peace, Panty Power Attack, 2007, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Panties for Peace; image: Marvin Systermans

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People‘s Tribunal

People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Marvin Systermans

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People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

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People’s Tribunal, Paper Trail, 2025, documentation and exhibition room, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025; image: Raisa Galofre

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Piero Gilardi

From left to right: Piero Gilardi, Drago bce [Dragon of the ECB], 2012; Mulino di Trump [Trump’s mill], 2017; Trofeo Pace vs Terrorismi [Peace trophy vs. terrorism], 2015,  installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Fondazione Centro Studi Piero Gilardi; image: Marvin Systermans

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Salik Ansari

Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Marvin Systermans

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Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Raisa Galofre

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Salik Ansari, Altars of Absences, 2025, installation view, 13th Berlin Biennale, Former Courthouse Lehrter Straße, 2025. Courtesy Salik Ansari; Sakshi Gallery, Mumbai; image: Raisa Galofre

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Sarnath Banerjee

Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst

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Sarnath Banerjee, Critical Imagination Deficit, 2025, installation view (detail), 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sarnath Banerjee; image: Diana Pfammatter, Eike Walkenhorst

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Sawangwongse Yawnghwe

Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

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Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

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Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

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Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [Das Hauptquartier des Jokers. Gesamtkunstwerk als praktischer Scherz (Das ist der erste Flug des Adlers)], 2025, Installationsansicht, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; Bild: Diana Pfammatter; Eike Walkenhorst

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Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

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Sawangwongse Yawnghwe, Joker’s Headquarters. Gesamtkunstwerk as a Practical Joke (C’est le Premier Vol de L’Aigle) [It’s the eagle’s first flight], 2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Sawangwongse Yawnghwe; image: Diana Pfammatter; Eike Walkenhorst

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Shahana Rajani

Shahana Rajani, a cipher for the missing, 2022, video still © Shahana Rajani

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Stacy Douglas

Stacy Douglas, One Day III from Law Is Aesthetic: Trope, 2025, video still © Stacy Douglas

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Tsuyoshi Ozawa

Tsuyoshi Ozawa, New Nasubi Gallery by Li Koelan First Life-Jacket, 1996, Installationsansicht, 13. Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Tsuyoshi Ozawa; Li Koelan; Bild: Marvin Systermans

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Tsuyoshi, New Nasubi Gallery by Jinran Kim ​​Soap Project, 1993, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Tsuyoshi Ozawa; Jinram Kim; image: Marvin Systermans

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Vikrant Bhise

Vikrant Bhise, We Who Could Not Drink, 2025 © VikrantBhise; Experimenter, Kolkata & Mumbai

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Yoshiko Shimada and BuBu de la Madeleine

Yoshiko Shimada und BuBu de la Madeleine, 1945, 1998, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Yoshiko Shimada und BuBu de la Madeleine, Ota Fine Arts; image: Diana Pfammatter, Eike Walkenhorst

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Zamthingla Ruivah Shimray

Zamthingla Ruivah Shimray, Installationsansicht, 13. Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Zamthingla Ruivah Shimray; Bild: Aristidis Schnelzer

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Zamthingla Ruivah Shimray, Raira Kachon [Small Kachon War], 2025, installation view, 13th Berlin Biennale, Hamburger Bahnhof – Nationalgalerie der Gegenwart, 2025. Courtesy Zamthingla Ruivah Shimray; image: Aristidis Schnelzer

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Zoncy Heavenly

Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans

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Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans

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Zoncy Heavenly, from the series World of Good for Nothing Guys, 2009–: Lady Farmers’ Magenta Sky, 2022–2025, installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025. Courtesy Zoncy Heavenly; image: Marvin Systermans

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